1(tie). "Batman"(1989)
The Dark Knight was originally slated to take flight alongside his DC counterpart Superman in the late 70's, before getting dragged down into developmental hell. Well, Tim Burton's game-changer was worth the wait. When you pause to consider how cluttered the superhero genre has become, it has to be considered one of the most influential films of the last quarter-century. Michael Keaton overcame some pre-internet casting controversy to bring the titular title character back to his comic book roots, as a stoic vigilante stalking criminals on the city streets. His photographer-girlfriend Vicki Vale may be a damsel in distress, yet Kim Basinger was undoubtedly one of this era's most luscious leading ladies, while Jack Nicholson forever raised the bar for big screen villainy as the maniacal, eternally grinning Joker unleashes a massive reign of terror on all of Gotham City. The action comes in small doses, but it's all meaningful and impactful, while Burton's striking originality and gothic sensibilities made him the perfect fit for the material. It's hard to accurately describe the hysteria that this film created to somebody that wasn't there. It was quite simply the biggest motion picture event since "Star Wars", and a sequel was every bit as inevitable as death and taxes.
1(tie). "When Harry Met Sally..."(1989)
Can men and women ever really be just friends? That never-ending question inspired this defining collaboration between director Rob Reiner and screenwriter Nora Ephron. Their seminal masterpiece has arguably surpassed Woody Allen's "Annie Hall"(a clear inspiration) as the benchmark of the modern romantic comedy. There haven't been many contenders to that throne in the thirty-plus years since, but that doesn't make this movie any less great. Billy Crystal has never had a better showcase for his sardonic wit, and Meg Ryan is perfection from that 1977 car ride to Katz's Delicatessen to New Year's Eve 1988. The Marc Shaiman/Harry Connick Jr. score helps set the classy tone, that keeps fans coming back to NYC in the fall. This film's brand of relationship humor also acted as a precursor to "Seinfeld", which began a similar and not-so-coincidental rise to immortality the following year.
2. "Back to the Future Part II"(1989)
The original is quite possibly the most beloved movie of the decade, making this eagerly-awaited encore a daunting task for the entire BTTF team. Fortunately, Marty and Doc's highly entertaining second go-around is a lot closer to "Empire Strikes Back" than "Ghostbusters II". With it's Oscar-nominated visual effects, breakneck pace and brilliant labyrinth plotting, "Part II" was the grand finale of the '80s blockbuster era. I love how director Robert Zemeckis and screenwriter Bob Gale threw every crazy time travel concept they could think of at the audience, and trusted that they'd be smart enough to stay with every potential paradox and manic Doc Brown explanation. It's one of the most ingenious sequels ever created, and also one of the best.
3. "Indiana Jones and the Last Crusade"(1989)
Steven Spielberg crafted the perfect finale to his classic adventure series that propels his intrepid archaeologist on a search for the ultimate artifact- the Holy Grail(Oh, if only this WAS the finale but that's a discussion for another blog). Harrison Ford was born to play this role and the casting of Sean Connery's as Indy's dad was an inspired stroke of genius. Watching these two bickering icons trapped in a Nazi castle hideout and a nose-diving plane is about as much fun as you can have at the movies. We get to see a teenage Indy, nicely played by River Phoenix, in a flashback opening, and there's one memorable action set-piece after another. With the most humor and heart in the franchise, if "Last Crusade" is you're favorite outing with Dr. Jones, you've chosen wisely.
4. "Born On The Fourth Of July"(1989)
Three years after his Oscar-winning triumph "Platoon", Oliver Stone still wasn't ready to say goodbye to Vietnam. The fearless filmmaker coaxed a career-best performance out of Tom Cruise, in the real-life story of veteran Ron Kovic. His raw and powerful transformation from idealistic youth to bitter paraplegic would have garnered a Best Actor Oscar if Daniel Day-Lewis hadn't made an equally showy turn in "My Left Foot" that same year. Nevertheless, Cruise's follow-up to "Rain Man" left no doubt that he was here to stay, in another passionate effort from a director working at the peak of his considerable powers.
5. "Glory"(1989)
The Civil War gets stellar treatment in this grand tribute to the all-black 54th Regiment of Massachusetts Volunteer Infantry. Although Mathew Broderick received top billing for his role as the white bread colonel, this film is best known for heralding the true arrival of Denzel Washington. His defiant slave shed a single tear to clinch the Best Supporting Actor Oscar as the entire movie industry eyed it's next leading man. The rousing final battle is impressively staged by director Edward Zwick, and it's stirring score represents one of the first high profile gigs for composer-extraordinaire James Horner("Braveheart", "Titanic").
6. "Driving Miss Daisy"(1989)
Broadway legend Jessica Tandy became the oldest recipient of the Best Actress Oscar as an elderly widow bonding with her black chauffeur(Morgan Freeman entering his dignified prime), an intimate story that spans twenty-plus years, starting in 1948 and ultimately whisking us through of the civil rights changes of the 1960s. This warm and sensitive look at old age and race relations is a thoroughly pleasant experience, thanks to the moving interplay between it's two graceful leads, and Dan Aykroyd is very good in a rare serious role as Tandy's doting son. "Daisy" has often been knocked for being one of those 'safe' Best Picture winners, but if this decades-long friendship doesn't get you a little choked up by the end, you're made of stone.
7. "Lethal Weapon 2"(1989)
Mel Gibson and Danny Glover, the greatest buddy cop duo of all time, dutifully returned to the screen to match all the slick, violent and explosive joy of their genre-defining inauguration. The old rule was that you shouldn't bother making a sequel unless you're prepared to top what we saw last time. Director Richard Donner and his loyal crew were up to the task, and included a booby-trapped toilet for anyone that still wasn't convinced. Those slimy South African villains were more evil than Gary Busey, and Joe Pesci's hyperactive federal witness isn't just funny, he figures into the plot. The second half of "2" is heaven for Reagan-era action enthusiasists. Diplomatic immunity?! Joss Acklund must have been joking.
8. "The Fabulous Baker Boys"(1989)
Michelle Pfeiffer officially staked her claim as Hollywood's new queen in this terrific low-key drama. She sizzles(and not just in the famous piano scene) in one of her signature roles as tough-talking torch singer Susie Diamond, and would likely have an Oscar to show for it if 80 year old Jessica Tandy hadn't taken a ride with Morgan Freeman that same year. Much of the hoopla around this film focused on Pfeiffer's lithe body and impressive vocals, but Jeff and Beau Bridges also shine as lounge-lizard brothers in this refreshingly unsentimental tale of quiet complacency and familial resentments.
9. "Field of Dreams"(1989)
Kevin Costner and baseball went together like peanut butter and jelly( or at least it did until "For Love of the Game", but I'm here to talk about the man's heyday). He just had that all-American aura which made him an ideally suited to play our favorite pastime. This is not a movie for skeptics. Cynics need not apply. Phil Alden Robinson's wish-fulfillment fantasy is as unabashedly optimistic as Costner's Iowa farmer and therein lies it's enduring appeal. That ghost-friendly baseball field may have been totally illogical, but since when has logic and movie magic ever gone together? So just sit down with your pop and enjoy this one, I sure did.
10. "Dead Poets Society"(1989)
Carpe diem. A post "Vietnam" Robin Williams was clearly following that famous credo when he seized the role of unorthodox English teacher John Keating. He livens up an ultra-conservative 1959 prep school and awakens the passions of a handful of restless students, including an 18 year old Ethan Hawke in his screen breakthrough. As far as inspirational teacher dramas go, Peter Weir's life-affirming film sits at the head of the class as major Academy Award nominations allowed Robin to class up his big screen credentials. I'm standing on top of my desk and saluting the Captain as I type this. You should be, too.
Honorable Mentions- "Bill and Ted's Excellent Adventure"(1989) This goofy time travel comedy got sequels. "Heathers"(1989) Winona Ryder and Christian Slater kill their classmates. "Say Anything"(1989) John Cusack holds up a boom-box. "Three Fugitives"(1989) Martin Short holds Nick Nolte hostage. "Chances Are"(1989) Robert Downey Jr. gets reincarnated. "Lean on Me"(1989) Movie lovers can lean on Morgan Freeman. "Dead Calm"(1989) Billy Zane bangs Nicole Kidman on a boat. "True Believer"(1989) James Woods as a hippie lawyer. "Miss Firecracker"(1989) Holly Hunter and Mary Steenburgen bring energy to this little-seen indie. "Black Rain"(1989) Michael Douglas is an American cop in Japan. "Major League"(1989) Charlie Sheen and Tom Berenger reunite for this baseball comedy. "K-9"(1989) James Belushi and a German Shepherd. "See No Evil, Hear No Evil"(1989) Richard Pryor is blind, Gene Wilder is deaf. "Ghostbusters II"(1989) The boys are back to bust up an evil painting and a river of slime. "The Karate Kid Part III"(1989) Cobra Kai never dies. "Star Trek V: The Final Frontier"(1989) This Shatner-directed episode is as good/bad as every other "Trek" movie. "Honey, I Shrunk the Kids"(1989) Rick Moranis in a high-concept summer smash. "The Abyss"(1989) James Cameron's underrated underwater epic. "Turner & Hooch"(1989) Tom Hanks and a huge drooling canine. "Great Balls of Fire!"(1989) Dennis Quaid as 'The Killer' Jerry Lee Lewis. "Do the Right Thing"(1989) Spike Lee's best film? "Casualties of War"(1989) Brian De Palma does Vietnam with Michael J. Fox and Sean Penn. "Parenthood"(1989) Steve Martin leads a huge ensemble in Ron Howard's hit comedy. "Uncle Buck"(1989) John Hughes brought out the best in John Candy. "The Package"(1989) Gene Hackman vs. Tommy Lee Jones. "Sea of Love"(1989) Al Pacino ends his self-imposed exile with Ellen Barkin. "A Dry White Season"(1989) Marlon Brando ends an even longer exile and gets one last Oscar nomination. "Sex, Lies, and Videotape"(1989) James Spader hits record in Steve Soderbergh's breakthrough. "Look Who's Talking"(1989) Bruce Willis voices Kristie Alley's baby and starts an unlikely franchise. "Crimes and Misdemeanors"(1989) More expert existentialism from Woody Allen. "Dad"(1989) Jack Lemmon is an old man. "Old Gringo"(1989) Jane Fonda and Gregory Peck and the Mexican Revolution. "Immediate Family"(1989) Glenn Close and James Woods decide to adopt. "My Left Foot"(1989) Daniel Day-Lewis lands his first Best Actor Oscar. "Prancer"(1989) This should be a Christmas staple. "Steel Magnolias"(1989) Sally Field, Shirley MacLaine, Julia Roberts, and Dolly Parton in the preeminent late '80s chick flick. "Family Business"(1989) Sean Connery, Dustin Hoffman, and Matthew Broderick in a Sidney Lumet caper. "The Little Mermaid"(1989) Disney animation makes a comeback. "National Lampoon's Christmas Vacation"(1989) The Griswolds are a holiday fixture. "Always"(1989) Richard Dreyfus and Holly Hunter star in Steven Spielberg's romantic fantasy. "Blaze"(1989) Paul Newman's politician marries a stripper. "Music Box"(1989) Is Jessica Lange's father a Nazi war criminal? "The War of the Roses"(1989) Danny DeVito directs this testy reunion of Michael Douglas and Kathleen Turner. "Tango & Cash"(1989) Super-cops Sylvester Stallone and Kurt Russell close out the 1980s.
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