The '90s was the coolest decade for movies. Go down the list and tell me I'm wrong. I feel bad for anybody that wasn't there, and as a film-obsessed geek that was, I feel uniquely qualified to compile this list. I tried to avoid characters based on actual historical figures(sorry, William Wallace), and limited it to three characters per actor/film(it's only fair). Now, I don't want to drag this thing out like Tarantino on the set of "Jackie Brown"(she's not on the list). Here are the 90 greatest characters of the '90s.
90. Oda Mae Brown- "Ghost"(1990)
I'll bet you didn't know that the brash voice of "The View" was(once) the highest paid black actress ever. This sassy psychic was a big reason for the "Ghost" phenomenon of 1990, her comic relief coupled with THAT clay scene helped this otherworldly romance score a staggering $217 million domestically. Whoopi is an Oscar winner, do you still think the Academy are a bunch of racists?
89. Vincent Mancini- "The Godfather Part III"(1990)
Frances Ford Coppola toyed with the idea of a fourth "Godfather" in the '90s that would star Andy Garcia as the reckless heir to the Corleone throne. It's not hard to see why. Sonny's illegitimate son is the best thing about this illegitimate(in the eyes of some) third installment.
88. Clara Clayton- "Back to the Future Part III"(1990)
Is Mary Steenburgen the best character actress in the industry? Her sweet and feisty schoolmarm made Doc Brown forget about science(for a while), and made the ageless beauty a go-to-girl for under-the-radar supporting roles.
87. Rod Tidwell- "Jerry Maguire"(1996)
"Show me the money". If you weren't around in '96, consider yourself lucky, because every idiot in the world was bellowing this phrase and dancing the Macarena. Cuba Gooding Jr.'s cocky, scene-stealing wide receiver was his career high, needless to say.
86. Sidney Prescott- "Scream", "Scream 2"(1996, 1997)
Neve Campbell may be the greatest Final Girl of all time(just don't tell Jamie Lee). She squared off with Ghostface four times and lived to tell about it, helping to revive a dormant subgenre in the process. Sidney was too smart to run up the stairs when she should be running out the door, and gave a new generation of bloodthirsty teens something to scream about.
85. Scott Calvin- "The Santa Clause"(1994)
Tim Allen parlayed his sitcom popularity into an unlikely big screen run that started with his Kris Kringle impression- the rare Christmas comedy that doesn't completely suck. Scott Calvin can slide down my chimney every Dec 24th, I'll even leave milk and cookies for the fat-ass franchise-starter.
84. John Coffey- "The Green Mile"(1999)
The late Michael Clarke Duncan broke free of his blue-collar origins to make his Hollywood dreams come true at age 42. The big guy could boast of upstaging Tom Hanks in the role of gentle giant John Coffey in Frank Darabont's OTHER prison parable. I always felt he was the best thing about it. R.I.P.
83. Blade- "Blade"(1998)
That tough tax evader Wesley Snipes got the Marvel ball rolling as this vicious vampire hunter. The Marvel Cinematic Universe was built off the back of Blade, he won't ever get the credit for killing Howard the Duck, though.
82. Karen Sisco- "Out of Sight"(1998)
This tough-talking FBI agent is Jennifer Lopez' greatest film role. I know that's not saying much, but Steve Soderbergh's romantic caper alternately restored George Clooney's cred and granted J'Lo leading lady status that five years of gossip mags and mediocre music videos would promptly ruin. Oh, well. We'll always have that hotel bar scene.
81. Wednesday Addams- "The Addams Family", "Addams Family Values"(1991, 1993)
Christina Ricci may be the original goth girl. Her deadpan deliveries stole the show in this resurrection of the '60s TV show, no small feat when Chris Lloyd and Raul Julia are on the same set. Wednesday is welcome in my living room any day of the week.
80. Lisa Rowe- "Girl, Interrupted"(1999)
Angelina Jolie is crazy, and we used to like it. Jon Voight's vivacious daughter took the world by storm at the tail end of the '90s, hijacking Winona Ryder's 'comeback' vehicle en route to tabloid tyranny. Lisa is the sociopathic leader of these hospitalized hotties. Was Jolie really acting?
79. James Bond- "Goldeneye", "Tomorrow Never Dies", "The World Is Not Enough"(1995, 1997, 1999)
Pierce Brosnan brought Bond out of the Dalton doldrums, and made the suave superspy relevant again. His 007 set box office records and seemed everyone's(second) favorite. Until Daniel Craig came along. I have a feeling we'll be shitting on him in a few years, too.
78. Bud White- "L.A. Confidential"(1997)
Three years before "Gladiator", Russell Crowe got his breakout role as a hot-headed copper in Curtis Hanson's crime drama. Crowe is a little doughy these days, I think we'd all prefer to remember when he could kick any ass in L.A. and convincingly flirt with Kim Basinger. The 1950s most formidable lawman became an instant favorite for '90s film fans.
77. Will Hunting- "Good Will Hunting"(1997)
If it wasn't for this brilliant janitor in Gus Van Sant's greatest work, there's a good chance that Jason would have never been born. Matt Damon(and his buddy Ben Affleck) spent much of the Clinton era on the outside looking in. Things changed considerably. How do you like them apples!
76. Melvin Udall- "As Good As It Gets"(1997)
Jack Nicholson's misanthropic OCD-afflicted novelist/reluctant dog-sitter reunited him with "Terms of Endearment" director James L. Brooks to land his THIRD Academy Award. Udall was a big box office hit as well, and instantly joined the crowded slate of classic Nicholson characterizations. More on that a little later.
75. Suzanne Stone- "To Die For"(1995)
This fame-obsessed small town weathergirl is Nicole Kidman's finest two hours in my opinion. I'd kill her husband in a heartbeat. Suzanne Stone helped the Aussie goddess get out from under this next guy's shadow.
74. Ethan Hunt- "Mission Impossible"(1996)
Tom Cruise's impossibly cool IMF agent is STILL thrilling audiences(coming soon- "MI 6"!). Hollywood's top gun wasn't fooling around when he decided to create a franchise to call his own. Hunt can hang with the Bournes and the Bonds, and even out-class them on occasion. He's a human highlight reel, who the hell cares about "the plot"?
73. Mitch Leary- "In the Line of Fire"(1993)
If you're going to antagonize Clint Eastwood in a movie, you'd better bring your A-game or you're not making it much further than the opening credits. John Malkovich and his plastic homemade gun were certainly up to the task in Wolfgang Peterson's crackling thriller. This would-be Presidential assassin is a master of disguise and a trained killer, he's also one of the decade's best baddies. The only question is, would Leary be the hero now?
72. Jack Ryan- "The Hunt for Red October", "Patriot Games", "Clear and Present Danger"(1990, 1992, 1994)
Tom Clancy's CIA hero was a hot property in the first half of the '90s. Alec Baldwin was booted after "October" so Harrison Ford could extend his box office reign, and he's the only guy to play this role more than once. Whether it was a Soviet sub, Irish terrorists or the Columbian cartels, Jack jumped right in the middle of all of it. We might need him now more than ever.
71. Belle- "Beauty and the Beast"(1991)
No disrespect to Emma Watson, but I prefer this Disney beauty in hand-drawn animation. Nevertheless, Belle and her Beast are getting a huge revival in 2017. The only animated movie to earn a Best Picture nomination won't be dethroned if I have anything to say about it. This is the only Belle that I'll be singing along to.
70. Keyzer Soze- "The Usual Suspects"(1995)
Some may object to Kevin Spacey's criminal mastermind ranking so low(hey, it's my blog). I share Roger Ebert's opinion that "Suspects" is significantly overrated, but I won't take anything away from Bryan Singer's celebrated ending or Spacey's standing as one of the decade's acting deities. You'll be seeing more of him.
69. Bodhi- "Point Break"(1995)
Patrick Swayze brought his trademark conviction to this bank-robbing, surfing guru in Katherine Bigelow's breakthrough. There's absolutely no winking at the camera as Bodhi waxes philosophically on the spiritual side of riding waves. The role actually made the late actor a skydiving enthusiast, and he made the jump eighty times in his life. 100% pure adrenaline.
68. Drexl Spivey- "True Romance"(1993)
That British chameleon Gary Oldman burns a hole through the screen as a slimy pimp(who thinks he's black) in Tony Scott's trash masterpiece. Has ANY character ever contributed more quotable lines with such limited screen time?
67. Phil Connors- "Groundhog Day"(1993)
This obnoxious TV weatherman is surely Bill Murray's best '90s role, maybe his best role period. Anyone that disagrees either hasn't seen him endlessly relive Feb 2nd until he gets it right or is still pissed that he didn't make Ghostbusters III instead. Phil turns Punxsutawney, Pennsylvania into his own personal playground and he gets the girl(after a couple million tries). Bill does some real acting here( a sign of things to come). Deja vu has never been this fun.
66. Derek Vineyard- "American History X"(1998)
Edward Norton became a major player with the one-two punch of "Fight Club" and this searing portrayal of a neo-Nazi skinhead. It should be noted that neither film did anything at the box office, but both have stuck around longer than most of that era's 'hits'. Vineyard's explosive diatribes have never been more potent, and I'm not certain that "X" would even get made today. Norton's Best Actor loss to Roberto Benigni indicates that we weren't all that comfortable with him back then, either.
65. Annie- "Speed", "Speed 2: Cruise Control"(1994, 1997)
Sandra Bullock drove Jan de Bont's bus over 50 mph and didn't stop till she reached her A-list destination. Annie is the ultimate girl-next-door, and an excellent showcase for Bullock's plucky appeal. She got a little annoying on that cruise ship, but nobody's perfect.
64. Tracy Flick- "Election"(1999)
Are you still wondering why Hillary Clinton lost? Nobody likes a goody two-shoes. But we DO like Reese Witherspoon's overachieving teen, she beats Ferris Bueller and put writer-director Alexander Payne on the path to perennial awards contender.
63. Mary- "There's Something About Mary"(1998)
Cameron Diaz is the biggest box office actress of all time. You can blame the Farrelly brothers(and DreamWorks Animation) for that. Our relationship with her started off really well, though. Mary is that bubbly babe that has ten guys obsessed with her at any given time. She isn't particular when it comes to hair gel brands. Stalking sometimes works, guys. Go for it.
62. Dirk Diggler- "Boogie Nights"(1997)
Mark Wahlberg won the entire world over with his naïve 1970s porn stud(his early '90s rapping/underwear modeling has since rarely been discussed). Dirk was a dream role, and I'm not sure that Marky Mark would still be making movies if he hadn't pulled a prosthetic out in front of that mirror. He's a star.
61. Sherman Klump- "The Nutty Professor"(1996)
Eddie Murphy was funnier than Jerry Lewis(yeah, I said it). It took a 400-pound fat-suit to reinvigorate the fading funnyman("The Distinguished Gentleman", anyone?) in this ribald remake, easily his most pleasing effort of the '90s. Klump and his entire clan are a comedic master-class, and Murphy would never produce this much laughter(in live-action) ever again.
60. Chili Palmer- "Get Shorty"(1995)
A post-"Pulp" John Travolta struts his stuff as a mobster that wants in the movie biz. Palmer is JT's fourth best role(it shouldn't be hard to guess the first three), he gained that distinction by breaking Dennis Farina's nose and throwing James Gandolfini down the stairs. It's too bad Chili couldn't "Be Cool" in 2005, I blame "Battlefield Earth".
59. Cher Horowitz- "Clueless"(1995)
Alicia Silverstone was the Molly Ringwald of the mid-'90s, thanks to Aerosmith and Amy Heckerling's high school sleeper hit. This matchmaking teen queen may be a virgin who can't drive, but that didn't stop every adolescent on Earth from adding her airheaded slang to their vocabulary. The sky seemed the limit for Silverstone, until she brought some "Excess Baggage" to the Batgirl suit. Ouch.
58. The Penguin- "Batman Returns"(1992)
While we're on the subject, Danny DeVito's ghastly grotesque horrified parents and Happy Meal peddlers in the summer of '92. He ate raw fish, bit a guy's nose off, led an army of underground circus freaks and wanted to kill sleeping children. Tell me again how scary Heath Ledger was.
57. Lt. Col. Frank Slade- "Scent of a Woman"(1992)
Al Pacino finally bagged that elusive Oscar for this blind, abrasive Army colonel. Few would call it his definitive work, but Slade is still a lively companion. He blew Chris O' Donnell off the screen(not that that's hard to do) during a wild weekend in New York. Five years ago, he would have taken a flamethrower to this place. Someone please give Pacino one last great role.
55, 56. Wayne and Garth- "Wayne's World", "Wayne's World 2"(1992, 1993)
This partying pair from SNL made The Blues Brothers look like your lame-ass uncles. They are the reason you think "Bohemian Rhapsody" is cool and smile whenever you think of Grey Poupon. Mike Meyers and Dana Carvey captured the hearts of a generation, and one of them went on to even greater big screen success. The other made "Master of Disguise".
53, 54. Harry and Lloyd- "Dumb and Dumber"(1994)
Another inseparable duo, Jim Carrey and Jeff Daniels just might be responsible for the most beloved comedy of the '90s. The 2014 sequel(AND 2003 prequel) sullies their reputations a bit. But we always knew they were idiots.
52. William Munny- "Unforgiven"(1992)
"It's a helluva thing, killing a man. You take away all he's got. And all he's ever gonna have". Clint Eastwood's introspective gunslinger was a career-saving comeback role and a glorious return to the genre that made his name nearly three decades earlier. Munny killed women and children. And he's gonna kill Little Bill for what he did to Ned. An absolute masterpiece.
51. Curly- "City Slickers"(1991)
Another crusty cowboy from a bygone era, Jack Palance picked up an Oscar for stealing the middle portion of Billy Crystal's blockbuster mid-life crisis comedy. Curly makes a strong argument for the simple life that all those subway-riding city folk lose sight of. I heard somewhere that there's nothing like bringing in the herd, and as for the 'one thing'? You have to figure that out for yourself.
50. Col. Nathan Jessep- "A Few Good Men"(1992)
"YOU CAN'T HANDLE THE TRUTH!!!" The single greatest line of the '90s? Maybe. Only one man could deliver it with as much fiery force, and you thought he was scary in "The Shining". Jessep spent his entire adult life in the Marines, and Jack couldn't have conveyed his steely conviction with any more believability. You stop your channel-surfing EVERY time he shouts down the next guy on our list, I think I'll go watch him do it right now.
49. Frank TJ Mackey- "Magnolia"(1999)
Remember when Tom Cruise was an interesting actor? He wasn't all about saving the world and exploring every anti-aging method known to man. Scientology's poster boy should have picked up the Oscar for his insanely energetic sex guru(sorry, Michael Caine but it's true). Mackey arguably made Paul Thomas Anderson's epic, no small feat in an ensemble that includes Julianne Moore, Philip Seymour Hoffman and Jason Robards.
48. Mona Lisa Vito- "My Cousin Vinny"(1992)
A 27 year old Brooklyn babe named Marisa Tomei achieved major fame as Joe Pesci's gorgeous girlfriend in 1992's sleeper hit. She's an expert in the field of automobiles. She's not a fan of deer-hunting. Her biological clock is ticking real loud. I'd love to help her with that. Jack Palance didn't read the wrong name on Oscar night, for the last time, they got this one right.
47. Agent J- "Men In Black"(1997)
Will Smith made fighting aliens look good. The Fresh Prince put on Ray-Bans and a Reservoir Dog suit and officially became a movie star as if "Independence Day" hadn't already made the case. We really loved him back then. Someone explain why Smith and Barry Sonnenfeld made "Wild Wild West" before "MIBII".
46. Mark Renton-"Trainspotting"(1996)
I would normally advise you to avoid grungy heroin addicts. Unless they're played by Ewan McGregor in a movie directed by Danny Boyle. Renton is another character that could only creep into the mainstream in the mid-'90s. He's getting a 2017 sequel, which indicates that not enough has changed. Choose life...
45. Lt. Dan Taylor- "Forrest Gump"(1994)
Gary Sinise would have had a bigger film career in a more just world. I know "CSI: Whatever" is a good gig, but the guy stole scenes from a prime Tom Hanks. How many people have done that? Lt. Dan could have been the star of his own movie and we all would have watched his wheelchair-bound antics. This character and his magic legs inspired a deep love for the military in Sinise, he's performed at bases all over the world with the Lt. Dan band. That alone puts him on the list.
44. Walter Sobchak- "The Big Lebowski"(1998)
John Goodman should have a Best Supporting Actor Oscar for his unhinged Vietnam vet in this venerable Coen classic(he wasn't even nominated). His lack of formal recognition outside of "Roseanne" is enough to make Walter fly off the handle again. The cult of "Lebowski" may be better than all that, though. Goodman will be bowling and breaking car windows long after we're gone. Is this your homework, Larry?
43. Karl Childers- "Sling Blade"(1996)
Billy Bob Thornton was a late bloomer in the biz that benefitted immensely from the burgeoning indie film movement("Blade" might have been ignored just five years earlier). I'm not sure that Childers should be around children, but any proponent of quality cinema is glad he got out. You call it a sling blade, he calls it a Kaiser blade.
42. Kevin McCallister- "Home Alone", "Home Alone 2: Lost in New York"(1990, 1992)
Move over, Shirley Temple. Macaulay Culkin became the biggest child star in ages when he booby-trapped his Chicago home for two bozo burglars(sorry, Harry and Marv didn't make the cut). Two years later, he tore through NYC with similarly crowd-pleasing results. "Home Alone" was really the last hurrah for '80s comedy kingpin John Hughes, turns out he understood the minds of ten year olds, too.
41. The T-1000- "Terminator 2: Judgment Day"(1991)
Robert Patrick's liquid-metal man represents the birth of CGI in James Cameron's show-stopping sequel. To say that he's hard to kill would be an understatement. His mind-boggling morphing abilities were inconceivable when the 1984 original dropped, proof that Cameron progressed the medium quite a bit(we saw similar FX in 1989's "The Abyss"). Welcome to the '90s.
40. John Doe- "Seven"(1995)
Kevin Spacey wouldn't play David Fincher's disturbing serial killer unless it was agreed that he wouldn't be featured in any of the pre-release advertising material. The studio kept their word, and the '90s got one of it's greatest villains. The only thing we know about John Doe is that he's pure evil. People will know about this movie in the year 2095, and you know exactly why that is. "What's in the box??!!"
39. Mr. Blonde- "Reservoir Dogs"(1992)
Somehow, Michael Madsen got to be the dad in "Free Willy" after cutting a tied-up cop's ear off and dousing him in gasoline. Mr. Blonde is proof that you should never trust a guy that's been behind bars. He's probably more than a little bitter about it. Tarantino has supplied cinema with a wealth of colorful rogues, and this Stealers Wheel enthusiast is certainly one of them.
38. Daniel Hillard/Mrs. Doubtfire- "Mrs. Doubtfire"(1993)
Robin Williams pulled a "Tootsie" in his most satisfying comedy and found even bigger box office than Dustin Hoffman did a decade earlier. Daniel Hillard just wants to see his kids. Most men wouldn't go to these lengths. "Doubtfire" is delightful, and is the greatest representation of Robin's onscreen gifts. Things were so much nicer when she was around.
37. Darth Maul- "Star Wars: Episode I- The Phantom Menace"(1999)
George Lucas' first prequel has plenty of detractors, but there's ONE thing everyone liked from the moment the first trailer dropped- Ray Park's scary space devil and his double-bladed lightsaber. He killed Liam Neeson before giving Ewan McGregor a chance to prove his mettle. I know I'm not the only one that wanted more of Maul.
36. Marge Gunderson- "Fargo"(1996)
Frances McDormand's pregnant police chief is another classic Coen creation, and the polar opposite of every fictional law enforcement officer you've ever seen(and she really was pregnant!). She'll get to the bottom of this execution-type deal if she doesn't barf first. Margie's Minnesota misadventures made Joel and Ethan one of Hollywood's hottest tandems and McDormand a Best Actress winner.
35. Neil McCauley- "Heat"(1995)
So, what if you do got him boxed in? He will not hesitate. Not for a second. One of the best scenes of the decade delivered by the two titans of late 20th Century screen acting. De Niro's smooth criminal might inch him past Pacino in the Bobby vs. Al debate(you were rooting for McCauley), and we'll just pretend "Righteous Kill" never happened. Neil is so bad-ass, Val Kilmer and Tom Sizemore are his subordinates. Michael Mann made every man in America want to pull a bank job.
34. Lestat- "Interview with the Vampire"(1994)
Anne Rice was initially opposed to the normally-righteous Tom Cruise embodying her seductive bloodsucker. Then she saw the movie. Tom totally nailed Lestat at a time when he could do no wrong. Our minds start to wander when he's off-screen, no disrespect to Brad Pitt and Antonio Banderas, and Stuart Townsend didn't suck blood, he just plain sucked as Lestat in the ill-fated 2002 sequel "Queen of the Damned".
33. Ian Malcolm- "Jurassic Park", "The Lost World: Jurassic Park"(1993, 1997)
Jeff Goldblum puts his aloof super-smart guy routine to excellent use in Steven Spielberg's earth-shattering smash. Sam Neill was no match for Malcolm's mouth and all-black attire, and there was apparently only room for one man on Site B in '97. Ian was hardly a conventional hero and probably a lousy father, but I'll take the coolest mathematician ever over Chris Pratt any day.
32. "The Genie- "Aladdin"(1992)
Fun fact- Robin Williams accepted the standard fee for voice work in '92($75,000) and reportedly felt screwed by Disney when their 31st animated feature collected $216 million during the holiday season. Robin is the reason that virtually every big name actor of the last quarter-century has stood in the recording booth(presumably for A LOT more money). His Genie whirled into the zeitgeist and granted all of our wishes.
31. Little Bill Daggett- "Unforgiven"(1992)
Gene Hackman's hard-ass sheriff runs the town of Big Whiskey with an iron fist. He'll protect you from unwelcome intruders. But whose going to protect you from him? Gene is a joy to watch in Clint Eastwood's best Western, and was rightly rewarded with his second Oscar(English Bob may disagree). Hollywood surely misses Hackman, but at least we've got roles like Little Bill to go back to.
30. Mia Wallace- "Pulp Fiction"(1994)
There's a reason Marsellus Wallace's wife appears alone on the poster and the DVD cover. She's a helluva good time as long as the heroin doesn't get mistaken for cocaine. I'd give her a foot massage while watching a "Fox Force Five" marathon. Many prominent actresses were considered for Tarantino's masterwork. They couldn't dance like Uma Thurman, though.
29. Alabama Worley- "True Romance"(1993)
Patricia Arquette's classic call girl(there's a difference, you know) should have made the brassy blonde a much bigger star. She'll watch a Sonny Chiba triple feature and won't laugh when you talk enthusiastically about comic books. She'll fuck in a phone booth and doesn't shy away when you suddenly turn into a gun-toting, drug-dealing maniac. Alabama is the ultimate guy's girl, and did I mention that she's 100% monogamous? Maybe she should be a lot higher than #29.
28. Vincent Coccotti- "True Romance"(1993)
While we're on Tarantino, we should get Chris Walken's stone-cold mob enforcer out of the way, because he doesn't like waiting. The idiosyncratic star cemented his reputation as a one-scene wonder in that chilly Detroit trailer. Who else could scare the hell out of Dennis Hopper? This guy is Tony Soprano's boss, for god's sake. Tony Scott's trademark close-ups will have you believing Coccotti just might be the devil himself. A lesser movie would have shoehorned him into the finale. I don't think my heart could take it.
27. Jack Dawson- "Titanic"(1997)
A 23 year old Leonardo DiCaprio was a one-man boy band following the release of James Cameron's gigantic boat movie. It's hard to describe the hysteria to someone that wasn't there, but 'Leo-Mania' was an actual thing. Every preteen girl in the world(and quite a few of their moms) wanted this starving artist on their wall. Leo's pin-up boy appeal made his subsequent Scorsese-led segue in 'serious actor' land all the more impressive(although "Gilbert Grape" fans already knew what he could do). That 'King of the World' proclamation was mighty prophetic. We'll never let go, Jack.
26. Edward Scissorhands- "Edward Scissorhands"(1990)
Johnny Depp was a 26 year old TV hunk with an uncertain future when he first met "Batman" director Tim Burton. The two ended up having a lot in common, and one of Hollywood's most fabled friendships was born(they would make seven more movies together). "Scissorhands" is where it ALL began though, and is probably the truest expression of their offbeat brilliance. Edward didn't need words to make women cry.
25. Catwoman/Selina Kyle- "Batman Returns"
You can have Harley Quinn. Michelle Pfeiffer's shiny sex bomb is the best version of Selina 'Catwoman' Kyle there EVER was or EVER will be. Anne Hathaway knows it. Sadly, Michelle cracked that whip only once. She would have surely been sealed into that outfit six more times if "Returns" came out today.
24. Ace Ventura- "Ace Ventura: Pet Detective", "Ace Ventura: When Nature Calls"(1994, 1995)
Jim Carrey became the new king of comedy thanks to this wacky pet detective. His '94 debut had 'BOMB' written all over it before it's January release. It turned out that the elastic "In Living Color" star was a cut above the rest. No high school hallway was safe from an Ace impression(trust me, I was there), but Carrey had more restraint than we give him credit for. An inferior comic would have run this character into the ground.
23. Samuel Gerard- "The Fugitive", "U.S. Marshalls"(1993, 1998)
Tommy Lee Jones stole "The Fugitive" right out from under Harrison Ford. I'm not sure that was anybody's intention. Gerard was the good guy too, and this dogged Federal Marshall was a magnetic presence during his wildly popular manhunt. TLJ parlayed his Best Supporting Actor Oscar into an inferior spin-off. Maybe he did need Ford after all.
21, 22. Thelma and Louise- "Thelma and Louise"(1991)
Is this the greatest movie to ever feature two female protagonists? Wrack your brain and try to think of a better one(you can't). Susan Sarandon and Geena Davis made history in Ridley Scott's road movie, and you can't have one without the other. They packed up their '66 T-bird and bailed out on the lousy men in their lives en route to becoming feminist icons. No would-be rapist, arrogant cop or crude truck driver was safe. We need more strong women on screen.
20. Max Cady- "Cape Fear"(1991)
De Niro's tattooed and terrifying ex-con might have landed the method man another Oscar if Lecter hadn't landed that very same year. Cady is now a sad reminder of the electricity that Bobby D once brought to the screen before easy comedic roles beckoned. Nobody was laughing on that boat ride. Juliette Lewis lost her innocence and Ileana Douglas lost her cheek. There's a reason Scorsese's intense remake is on cable every single day.
19. Buzz Lightyear- "Toy Story", "Toy Story 2"(1995, 1999)
Tim Allen's space ranger is still delighting millions of children worldwide(my two year old nephew included). He didn't think he was a child's plaything in '95, but fully embraced the role in the 1999 sequel that was WAY too good to go straight-to-video. Whether you're stuck in Sid's room or the ominous apartment of an unscrupulous toy collector, Buzz may be the best back-up in history. Now bring on "Toy Story 4".
18. Dr. Evil- "Austin Powers: International Man of Mystery", Austin Powers: The Spy Who Shagged Me"(1997, 1999)
Mike Myers secured his comic legacy with THREE unforgettable '90s characters, with two of them appearing in the same series. Just when you thought it couldn't get better than Wayne Campbell, "Austin Powers" came out of nowhere and made much more than ONE MILLION dollars. The 1999 sequel was amazingly among the decade's top twenty earners with $205 million, and it's safe to say that Dr. Evil and his pinky were at least half the reason for that.
17. Austin Powers- "Austin Powers: International Man of Mystery", "Austin Powers: The Spy Who Shagged Me"(1997, 1999)
Myers' shagadelic superspy comes next because you really can't separate the two. "Powers" pilfered every Bond convention you can think of to great comedic effect and recreated the 'Swinging 'Sixties' for everyone that wasn't there. That Swedish penis enlarger pump wasn't his. Sure, we all got sick of the character and his catchphrases, but we're talking about the late '90s here, and few would argue that Austin wasn't an awesome addition to the comedy landscape. Liz Hurley and Heather Graham? Yeah, baby, yeah.
16. Rose DeWitt Bukater- "Titanic"(1996)
Kate Winslet aggressively campaigned for the role of this doomed ocean liner's lovely survivor(James Cameron was said to be strongly considering Gwyneth Paltrow). I think we're all happy with the way things turned out. Rose's innate likability kept us in her corner as she goes from first class to third, her love for Leo enduring an iceberg and Billy Zane. "Titanic" is this generation's "Gone with the Wind", and Winslet won't ever be forgotten because of it. Her and Jack could have taken turns on that wood, though.
15. Vivian Ward- "Pretty Woman"(1990)
Julia Roberts was, without question, the biggest actress of the '90s. Her benign brand slayed everything in it's path, and it all started with Garry Marshall's enormously successful Cinderella story. The hooker-with-a-heart-of-gold hook was never put to more profitable use, and a 23 year old Roberts was a megastar before she even strolled down Rodeo Drive. For my money, Vivian Ward thrashes Holly Golighty. She was worth a lot more than $3,000.
14. Neo- "The Matrix"(1999)
Keanu Reeves earned action icon status after Will Smith passed on playing 'The One'. We probably wouldn't be talking about the Wachowskis' pre-millennial mind-fuck if those plans had come to fruition. Keanu's blank slate acting style has never been put to better use, he's the textbook definition of a physical performer. Neo was just about the coolest movie hero of the '90s, 'Bullet time' made Arnold, Sly and Bruce look like yesterday's news. Reeves is the reason you weren't fawning over "The Phantom Menace" a month later. I have a feeling we haven't made our last trip through "The Matrix".
13. Annie Wilkes- "Misery"(1990)
Can you think of anything more horrifying than spending a winter with this deranged former nurse? Author Paul Sheldon(James Caan) would have been better off freezing to death in that car wreck than being 'rescued' by his number one fan. She has a major passive-aggressive streak going on and gets unusually excited over cheesy romance novels. Annie won't curse, but she WILL tie you to your bed and take a sledgehammer to your legs. She'll do it out of love, though. Sheldon never gets over the experience(who would?), as Kathy Bates goes from respected stage actress to movie star and picked up the Best Actress Oscar for bringing Stephen King's literary creation to nightmarish big screen life.
12. Catherine Tramell- "Basic Instinct"(1992)
She's evil. She's brilliant. A 34 year old Sharon Stone went places no other mainstream actress would go in 1992 as this icy blonde bisexual murder suspect. Catherine is always in control even when she's being interrogated by a room full of cops. Come to think of it, Nick Curran(Michael Douglas) may be the worst hero in movie history. He's completely under her spell, not that I blame him. An icepick to the chest might be a small price to pay for a couple nights with this alluring author. The less said about her 2006 return, the better, but Paul Verhoeven's taboo-buster remains one of the best erotic thriller of all time.
11. Lester Burnham- "American Beauty"(1999)
This desperate suburbanite scored Kevin Spacey his second Oscar in four years. Someone must explain why he isn't in movies much anymore. You think marriage, fatherhood, steady employment and stability equals happiness? Guess again. None of that compares to potentially plowing your seventeen-year old daughter's best friend. Burnham realizes that the best time of his life was when he had no responsibilities, and unapologetically recreates his own personal utopia. If masturbating in the shower is the highlight of your day, you may have to start thinking about some drastic changes. Quit that 9 to 5 nonsense. Start working out. Buy some pot and the car you've always wanted. Lester rules.
10. Clarice Starling- "The Silence of the Lambs"(1991)
Jodie Foster had to fight for the role of Thomas Harris' young FBI trainee even after her '88 Best Actress Oscar triumph for "The Accused". Director Jonathan Demme preferred Michelle Pfeiffer. I think we all do, however it's difficult to imagine another actress giving Starling as much quiet strength and vulnerability. Foster's dynamic exchanges with Anthony Hopkins' Hannibal Lecter(he's coming, I promise) would result in the '91 Best Actress Oscar, not to mention the Picture/Director combo. Jodie will always be best known for putting Buffalo Bill in a body bag, and wisely passed on the 2001 sequel. No disrespect to Julianne Moore, but when I say hello to Clarice, it's Foster on my 52 inch.
9. Vincent Vega- "Pulp Fiction"(1994)
It's hard to believe that so many famous roles nearly went to other actors. Miramax wanted Daniel-Day Lewis, and deemed Travolta a has-been. Fortunately, Quentin Tarantino didn't mind the fact that John was getting upstaged by talking dogs(he was working on "Look Who's Talking Now"), because the man was still a major talent and the whole world was about to be reminded of that. I shouldn't have to tell anybody that JT made the biggest pre-Robert Downey Jr. comeback the biz had ever seen as a long-haired hit-man with a fondness for heroin needles and(giving) foot massages. We shouldn't like Vincent as much as we do, but he's a compelling conversationalist, cheeseburger enthusiast and a champion on the dance floor. "The Vega Brothers" may be the greatest movie never made.
8. Tommy- "Goodfellas"(1990)
Another thug that needs no introduction, Joe Pesci's pint-sized powerhouse is part of the reason you've watched Marty's mob masterpiece more times than you can count. Tommy represents every "tough guy" that ever got lured into the promised land of easy money and fleeting power. Who wouldn't want a wad of cash that you didn't have to work for, and endless nights in dimly bars with your equally immoral buddies? Admit it, you've daydreamed about beating some respect into your enemies, Billy Batts-style. Pesci captures all of the underworld unpredictability so perfectly, that his age hardly matters(Joe was well into his forties, the real Tommy didn't live to see thirty). He may not have been here to amuse you, but few characters from the '90s(or ANY decade) did it more.
7. Red Redding- "The Shawshank Redemption"(1994)
Morgan Freeman's soothing vocals, calm demeanor and dignified presence will live forever courtesy of Frank Darabont's palatial prison drama. Red was written as an old Irishman in Stephen King's novella, but it's now impossible to imagine anyone other than Freeman narrating this life-affirming all-timer. Red is the reason "Redemption" was on TBS/TNT every other weekend(back when they still showed movies), with all due respect to Tim Robbins, and is the only jailbird I'll ever trust. This film's stature at this point is truly astounding, you probably know somebody that puts "Shawshank" at the top of their list of favorite movies, not bad for a no-hoper.
6. Woody- "Toy Story", "Toy Story 2"(1995, 1999)
Pixar's pull-string cowboy may be Tom Hanks' most popular role and I'm not pulling your leg. That's REALLY saying something as you'll learn in a bit. If you're old enough to remember hand-drawn animation, you know what a paradigm shift Andy's favorite toy was. Pinocchio was officially replaced the moment Randy Newman's "You've Got a Friend in Me" montage was over. Woody's friendly face is never going away, no matter how old we get. With all due respect to Dory, she wouldn't even have a sea to swim in if Woody hadn't led an army of plastic army men or survived the rigors of Pizza Planet. He's got a lifelong friend in me.
5. The Dude- "The Big Lebowski"(1998)
Jeff Bridges' middle-aged slacker wasn't SUPPOSED to make this list. Or inspire a holiday. Or an online religion. It just happened, man. I'm sure you all know the story- "Lebowski" bombed in March '98, only to be passionately embraced by an ever-growing fan-base a few years later in the afterlife of cable and home video. There's something strangely uplifting about this character's complete lack of anything even remotely resembling ambition. The Dude's unpretentiousness is a breath of fresh air in these frenzied times, and gives us something to(dare I say) aspire to. Doesn't an afternoon of bowling sound better than going to work tomorrow? The Dude would surely abide.
4. Jules Winfield- "Pulp Fiction"(1994)
I'm sorry, did I break your concentration? I didn't mean to do that. Tarantino has gifted film fans with as many great characters as George Lucas, we've talked about quite a few of them here. But there's one that stands a little taller than the rest. Sam Jackson and QT are like John Wayne and John Ford or De Niro and Scorsese or Johnny Depp and Tim Burton. What I'm trying to say is they work really fucking well together. Jules and his jheri curl are funny and frightening in equal measure, and it's a crime that SLJ didn't walk out of that diner with the Oscar(sorry, Martin Landau). The guy was born to be a movie bad-ass, and he owes much of his sizeable success in the twenty-plus years since to those awesomely embellished Bible passages and his wallet. The one that says 'Bad Mother-fucker' on it. Be cool? It might as well be this movie's mission statement.
3. Hannibal Lecter- "The Silence of the Lambs"(1991)
Gene Hackman, Jack Nicholson, and Sean Connery all turned it down. I'd like to take this time to thank them. A 52 year old Welsh journeyman named Anthony Hopkins had all but given up on movie stardom despite twenty years of steady film work. Then he finally got a role he could really sink his teeth into. Hopkins gave us cinema's most unnerving killer since Norman Bates after a decade of redundant slasher villains. By the time Hannibal had an old friend for dinner, we completely forgot about Brian Cox's creepy cannibal in 1986's "Manhunter". Sir Anthony reprised the good doctor twice with mixed results, but the Lecter from "Lambs" never needed to serve up Ray Liotta's brains as an encore to make it to the forefront of silver screen psychopaths.
2. Forrest Gump- "Forrest Gump"(1994)
When future generations want to know what Tom Hanks was all about(he's the biggest actor of the '90s, for all you laymen out there), "Gump" is the movie that will answer that question, just like "It's a Wonderful Life" has come to define his 1940s counterpart Jimmy Stewart. The risk of embarrassment was quite high when Hanks hit that park bench with little more than box of chocolates and an ill-fitting white suit. But Forrest was impossibly endearing, as he runs through thirty years of important 20th Century American history, literally and figuratively. The idea of a ping pong-playing mama's boy with a low I.Q., a Southern drawl, and a lucrative shrimpin' business being the FOURTH most successful film in a decade that saw the release of over 3,000 movies would be impossible to believe if that wasn't exactly what happened. Life is like that, I guess.
1. Tyler Durden- "Fight Club"(1999)
Brad Pitt needs a pick-me-up these days, so I'm putting his sinewy, soap-making slave-master in the top spot. Unlike in previous decades, this wasn't so cut-and-dry, but Durden is number one because he encapsulates what '90s cinema was really all about- it was a shinier version of the '70s, a daring pre-politically-correct/pre-9/11 free-for-all the likes of which may never be seen again. I don't remember too many superheroes running around. I can't see Project Mayhem sitting too well with Fox News. "Fight Club" is the first movie that will be mentioned in Brad's obituaries, and I'm secure enough in my masculinity to admit that this angry anarchist and his abs are sexier than most women. I know I'm not the only one that wanted the ridiculously-tailored Tyler to be real, and somebody had to shake all of these emasculated man-boys out of their quiet complacency. The things you own end up owning you. Durden's words are truer now than they were in '99. I could quote him all day, but I have a soul-crushing consumerist lifestyle to get back to. Remember, you are not your job...
Wednesday, December 7, 2016
Friday, November 25, 2016
Legends- Mel Gibson

"Hacksaw Ridge" is one of the best films of 2016, and I'm the least surprised man in America. Mel Gibson is poised to reclaim his standing among the industry's elite, and there's not a damn thing the PC police can do about it. I shouldn't even have to talk about his "comeback", and it's insane to me that he hasn't been behind the camera in ten years. As you know, a barrage of bad press between 2006-2011 turned the beloved "Braveheart" star into an embattled outsider, despite his healthy long-term relationship with moviegoers. I don't wish to delve into the specifics, but for the record, I never believed Mel Gibson was a bad person. We love a fall from grace, and the media relished every misfortune that befell the inaugural 'Sexiest Man Alive'. His trials and tribulations are simply a reminder that huge celebrities are, in fact, human beings. Movie gods aren't as indestructible as their onscreen counterparts, and they aren't immune to the same pitfalls and personal problems that plague mere mortals. Besides, the ONLY thing Mel Gibson or ANY entertainer owes us is a solid distraction from our own lives. Mel has been doing that better than most for over three decades now. The positives BY FAR outweigh the negatives in regards to the REAL Martin Riggs. I know you like Tom Hardy. So do I. He's got a ways to go, though. Let's talk about the legend that you almost forgot.
Mel was born in upstate New York in 1956 and was the sixth of eleven children. His father Hutton(a controversial writer and "Jeopardy!" winner in 1968) moved the Gibson clan to his mother's native Australia at the height of the Vietnam War. An aimless 18 year old Mel joined a Sydney theater group at the urging of his sister after graduating high school in the mid-'70s. He performed in many plays en route to nabbing his first film role, the 1977 surfing flick "Summer City". Medical student-turned-indie director George Miller was searching for "a spunky young guy" around this time to play the title character in his dystopian demolition derby "Mad Max". He didn't have to search for long. With an international gross of $100 million on a $350,000 budget, "Max" became one of the most profitable films EVER made, and Mel would receive worldwide fame and recognition as the grungy, leather-clad crusader in this 1979 sensation and it's superior sequel "The Road Warrior". Gibson would enter the Reagan era as one of the hottest actors on the planet, a position he wouldn't relinquish for a very long time.
Mel's popularity attracted the attention of director Peter Weir, and he was cast in a pair of acclaimed historical dramas, "Gallipoli" and "The Year of Living Dangerously", proving he was more than just a life-sized action figure. "Mad Max Beyond Thunderdome" arrived with substantial hype in 1985, and Gibson(now a husband and father)had little time to digest his dizzying rise. If Mel wanted off the merry-go-round, his next project would make it impossible. "Lethal Weapon" is the gold standard of buddy cop movies, and his LAPD dynamo Martin Riggs was a franchise-starter that ensured superstardom for at least the next decade. "Lethal Weapon 2" made A LOT more money than the original in '89, and "Lethal Weapon 3" made more money than the second one in '92. What I'm trying to say is that you can have those "Fast and the Furious" fools. I grew up with Gibson and Glover, and they would absolutely destroy Vin Diesel and Paul Walker. Anyway, in between all those Richard Donner-directed shoot-outs, Mel made "Tequila Sunrise", "Bird on a Wire", "Hamlet", "Forever Young" and "Maverick". All were hits.
Mel reached the pinnacle of his profession with his 1995 masterpiece "Braveheart". Perhaps inspired by the success of then-rival Kevin Costner's "Dances with Wolves", Gibson directed and starred in the stirring tale of 13th Century Scottish freedom fighter William Wallace for which we're all eternally grateful(he made a relatively quiet directorial debut with 1993's "The Man Without a Face") and was rightly rewarded with the Academy Awards for Best Picture/Director. He returned to straight-up movie star duties in Ron Howard's "Ransom", and protected Julia Roberts(filmdom's number-one female circa 1997) in the thriller "Conspiracy Theory". The "Lethal Weapon" family took their final bow with a lucrative fourth episode the following year. I shouldn't have to tell anyone over the age of 20 that Gibson towered over Tinsel-town with the two Toms(Hanks and Cruise) back when George Clooney was a TV guy and Robert Downey Jr. was a regular at rehab. The new millennium looked like more of the same thanks to "Payback" and "The Patriot". He still had "What Women Want". But things were about to change.
For some reason, Mel completely lost interest in headlining Hollywood hits, because 2002's "Signs" was the last time he did that(M. Night Shyamalan took a similar sabbatical, as far as quality is concerned). A new venture represented a seismic shift in the public's perception of the handsome and popular star that was practically untouchable in the '80s and '90s. Is Mel Gibson anti-Semitic? Let me clarify that "The Passion of the Christ" was another impressive piece of work by an extraordinarily talented filmmaker, but the question dogged Gibson throughout, making me wonder if the $370 million domestic box office total was worth it. The film was a phenomenon, but Mel spent as much time defending his devout Catholic beliefs as he did soaking up the praise and adulation that usually accompanies a movie of this magnitude. A drunk driving arrest overshadowed "Apocalypto", as many made it clear that they were no longer on his side. His infidelity exposed a hypocrisy, and when an aging Gibson decided that he wanted back in FRONT of the camera again after a seven-year absence, few were willing to go along, a far cry from the good ol' days. It didn't help that "Edge of Darkness", "The Beaver", and "Get the Gringo" were bad movies.
Mel took a lengthy hiatus, or was rather forced into one, after devolving into a tabloid target. Sylvester Stallone got him out of the house for 2014's "The Expendables 3", and I must mention that he was the best thing about it. "Hacksaw Ridge" confirmed what I always believed to be true- that Mel Gibson is as skilled a storyteller as the great Clint Eastwood. I don't need to see him act anymore. I have plenty of old favorites I can pop in whenever the mood strikes. But I'd better never again see him kept away from the art form that he spent most of his adult life furthering or I'm going to flip out worse than he did in that infamous phone call. He's done more good in this world than all of his butt-hurt haters could ever dream of. Go protest Donald Trump if you don't like what I'm saying. This man is an artist. God bless Mel Gibson. Amen.
Monday, October 31, 2016
Franchise Review- Scream
Twenty years ago, horror honcho Wes Craven brought the slasher movie back from the dead- a largely dormant subgenre that had been sequeled into oblivion by the likes of Jason, Michael Myers and yes, Craven's own Freddy Krueger. "Scream" separated itself because it was 'cool' and self-aware enough for savvy '90s teens. Craven's young protagonists were armed with a pop culture knowledge that the previous generation didn't possess. But Neve Campbell and company hung around the party for too long, until "Scream" and "Stab" became indistinguishable from one another. It's Halloween, so join me as I recap all the highs and lows of this sensational slasher saga. It'll be a scream.
"Scream"(1996)
We may have Drew Barrymore to thank for getting this whole thing started. The 20 year old former wild child was the biggest name on the poster, and the sight of her getting slaughtered in the pulse-pounding first twelve minutes definitely got people talking. After that clever "Psycho" inspired opening, a fresh-faced Neve Campbell and Courtney Cox of "Friends" fame are introduced as the real main characters. David Arquette's Dewey gets to stick around to protect our Final Girls from Ghostface. The Fonz is knifed to death in a pretty clear indicator that no one was safe. I'll never forget that time with Rose McGowan and the garage door. Skeet Ulrich's evil Johnny Depp impersonation and the manic Mathew Lillard caused a lot of carnage, and I doubt any of my readers need a spoiler alert.
"Scream" ruined George Clooney and Michelle Pfeiffer's "One Fine Day", en route to collecting $103 million at the domestic box office. Freddy and Jason never saw numbers like that on their best day. Screenwriter Kevin Williamson's black comedy/whodunit hybrid succeeded at a level few could have imagined, reigniting the gore cycle just as 1978's oft-referenced "Halloween" had done nearly twenty years before. It's hard to believe there was ever a time when viscous killing sprees weren't in vogue. We were definitely in for more Woodsboro Murders.
"Scream 2"(1997)
An ecstatic Miramax swiftly signed off on a sequel that arrived in theaters exactly one year later. Fun fact- "Scream" was so popular in '97, that "Titanic" and James Bond didn't want to drop on the same weekend. Memorable kills are a series trademark, and here the victims include Jada Pinkett-Smith, Omar Epps and Sarah Michelle Gellar, who was similarly slain in "Scream" clone "I Know What You Did Last Summer", released just two months earlier. Jamie Kennedy and Jerry O'Connell are also killed. I had no complaints about that. Roseanne's sister and the creepy Timothy Olyphant were behind this second round of slicing and dicing. Despite it's hasty production, "Scream 2" is honestly on par with the original, even if the novelty is gone. How do you stop an enterprise that has every high schooler in the world hooked? The answer is, you don't. A "Scream" trilogy? Yes, please.
"Scream 3"(2000)
Wes Craven and his regulars return for one last run-in with Ghostface, but series author Kevin Williamson does not(an increased workload kept his involvement down to a minimum). Further complications arose from Columbine, and concerns that killing young people might not be much fun anymore. Liev Schreiber and the blonde chick from "Melrose Place" did their best to put you back in the mood for more mayhem. So, you thought Noel from "Felicity" was a nice guy? Jenny McCarthy and Patrick "Puddy" Warburton would beg to differ. Carrie Fisher wrote her humorous cameo as the in-jokes continue(she slept with George Lucas). Randy videotaped some new rules for us. Neve Campbell's battle-hardened survivor is easy to root for, but this is where "Scream" starts to become what it set out to satirize.
Audiences had enough goodwill to give "3" almost as much money as the first two, and this should have been the concluding chapter in the saga of Sidney Prescott. It has be noted that "The Sixth Sense" and "The Blair Witch Project" both raised the bar in the summer of '99. Gale Weathers' hair was distracting, and "Scream" was yesterday's news. We weren't craving any more of Craven. This is Hollywood we're talking about, though, and more importantly the horror genre. If we give it a break and let nostalgia kick in, they'll come back for more, right? Not necessarily.
"Scream 4"(2011)
The "Scream" team reassembled(including Williamson) following an eleven-year absence for a vain attempt to appeal to a fresh crop of teens that couldn't even walk or talk in 1996. Their parents were much more likely to be pumped for this belated sequel that prevents me from naming "Scream" the one horror series to exercise some restraint. Craven gets too cute with his movie-within-a movie-within-a movie opening that calls out all the torture porn peddlers, specifically the "Saw" franchise. Emma Roberts and Hayden Panettiere get plenty of screen-time, because nobody under age 20 knows who Neve Campbell is(sorry, Neve). I'd be remiss if I didn't give Roger L. Jackson's spooky voice a nod of approval after four films. Wes Craven's final film(he died in 2015) is a plate of stale leftovers found in the back of the fridge. The majority of moviegoers only took a peek under the aluminum foil before heading for the trash.
"Scream 4" bombed in the U.S., but foreign grosses and home video helped turn a tiny profit. Nevertheless, I'm choosing to end this on a positive note. "Scream" brought a sophistication to scary movies(as well as inspiring "Scary Movie") that is still absent from much of today's horror offerings, and it's main players should be proud of that. I've only just become aware of the MTV TV series of the same name. We'll stop our channel-surfing when we come across a "Scream" marathon even though basic cable cuts out the excessive bloodshed and we already know who the killers are. We'll wonder out loud what David Arquette has been up to and ask why "Wild Things" didn't make Neve Campbell a megastar. I won't be a bit surprised if Ghostface comes back to stab some more kids that haven't even been born yet. Most of them will have it coming. Now, what's your favorite scary movie?
![]() |
| "We need you to make another movie with Adam Sandler". |
"Scream"(1996)
We may have Drew Barrymore to thank for getting this whole thing started. The 20 year old former wild child was the biggest name on the poster, and the sight of her getting slaughtered in the pulse-pounding first twelve minutes definitely got people talking. After that clever "Psycho" inspired opening, a fresh-faced Neve Campbell and Courtney Cox of "Friends" fame are introduced as the real main characters. David Arquette's Dewey gets to stick around to protect our Final Girls from Ghostface. The Fonz is knifed to death in a pretty clear indicator that no one was safe. I'll never forget that time with Rose McGowan and the garage door. Skeet Ulrich's evil Johnny Depp impersonation and the manic Mathew Lillard caused a lot of carnage, and I doubt any of my readers need a spoiler alert.
"Scream" ruined George Clooney and Michelle Pfeiffer's "One Fine Day", en route to collecting $103 million at the domestic box office. Freddy and Jason never saw numbers like that on their best day. Screenwriter Kevin Williamson's black comedy/whodunit hybrid succeeded at a level few could have imagined, reigniting the gore cycle just as 1978's oft-referenced "Halloween" had done nearly twenty years before. It's hard to believe there was ever a time when viscous killing sprees weren't in vogue. We were definitely in for more Woodsboro Murders.
![]() |
| Courtney Cox was never hotter. |
"Scream 2"(1997)
An ecstatic Miramax swiftly signed off on a sequel that arrived in theaters exactly one year later. Fun fact- "Scream" was so popular in '97, that "Titanic" and James Bond didn't want to drop on the same weekend. Memorable kills are a series trademark, and here the victims include Jada Pinkett-Smith, Omar Epps and Sarah Michelle Gellar, who was similarly slain in "Scream" clone "I Know What You Did Last Summer", released just two months earlier. Jamie Kennedy and Jerry O'Connell are also killed. I had no complaints about that. Roseanne's sister and the creepy Timothy Olyphant were behind this second round of slicing and dicing. Despite it's hasty production, "Scream 2" is honestly on par with the original, even if the novelty is gone. How do you stop an enterprise that has every high schooler in the world hooked? The answer is, you don't. A "Scream" trilogy? Yes, please.
"Scream 3"(2000)
Wes Craven and his regulars return for one last run-in with Ghostface, but series author Kevin Williamson does not(an increased workload kept his involvement down to a minimum). Further complications arose from Columbine, and concerns that killing young people might not be much fun anymore. Liev Schreiber and the blonde chick from "Melrose Place" did their best to put you back in the mood for more mayhem. So, you thought Noel from "Felicity" was a nice guy? Jenny McCarthy and Patrick "Puddy" Warburton would beg to differ. Carrie Fisher wrote her humorous cameo as the in-jokes continue(she slept with George Lucas). Randy videotaped some new rules for us. Neve Campbell's battle-hardened survivor is easy to root for, but this is where "Scream" starts to become what it set out to satirize.
Audiences had enough goodwill to give "3" almost as much money as the first two, and this should have been the concluding chapter in the saga of Sidney Prescott. It has be noted that "The Sixth Sense" and "The Blair Witch Project" both raised the bar in the summer of '99. Gale Weathers' hair was distracting, and "Scream" was yesterday's news. We weren't craving any more of Craven. This is Hollywood we're talking about, though, and more importantly the horror genre. If we give it a break and let nostalgia kick in, they'll come back for more, right? Not necessarily.
![]() |
| "OMG, the theater's empty!" |
"Scream 4"(2011)
The "Scream" team reassembled(including Williamson) following an eleven-year absence for a vain attempt to appeal to a fresh crop of teens that couldn't even walk or talk in 1996. Their parents were much more likely to be pumped for this belated sequel that prevents me from naming "Scream" the one horror series to exercise some restraint. Craven gets too cute with his movie-within-a movie-within-a movie opening that calls out all the torture porn peddlers, specifically the "Saw" franchise. Emma Roberts and Hayden Panettiere get plenty of screen-time, because nobody under age 20 knows who Neve Campbell is(sorry, Neve). I'd be remiss if I didn't give Roger L. Jackson's spooky voice a nod of approval after four films. Wes Craven's final film(he died in 2015) is a plate of stale leftovers found in the back of the fridge. The majority of moviegoers only took a peek under the aluminum foil before heading for the trash.
"Scream 4" bombed in the U.S., but foreign grosses and home video helped turn a tiny profit. Nevertheless, I'm choosing to end this on a positive note. "Scream" brought a sophistication to scary movies(as well as inspiring "Scary Movie") that is still absent from much of today's horror offerings, and it's main players should be proud of that. I've only just become aware of the MTV TV series of the same name. We'll stop our channel-surfing when we come across a "Scream" marathon even though basic cable cuts out the excessive bloodshed and we already know who the killers are. We'll wonder out loud what David Arquette has been up to and ask why "Wild Things" didn't make Neve Campbell a megastar. I won't be a bit surprised if Ghostface comes back to stab some more kids that haven't even been born yet. Most of them will have it coming. Now, what's your favorite scary movie?
Friday, October 7, 2016
The Year in Review- 2015
It was the year Keaton crushed the Catholic Church and a bearded Leo walked the earth. Tarantino went West, Disney brought back Star Wars and Bale figured out you were about to go broke. Brie Larson couldn't leave her room, Hanks rescued a Commie, and Pixar got inside your head. Here are the ten best films in order for 2015.
1. "Spotlight"(2015)
Organized religion is dying. That's called progress, and we have the dogged determination of a group of Boston Globe reporters for exposing the insidious underbelly of the Catholic Church with their Pulitzer Prize-winning work in 2002. Michael Keaton, Mark Ruffalo and Rachel McAdams are all riveting as they discover that a staggering amount of priests have been accused of child molestation. A decades-long cover-up amounts to a massive worldwide scandal that should leave you thinking twice about Sunday school. "Spotlight" is an important movie, a tribute to good journalism that more than earns it's comparisons to "All the President's Men". Director Tom McCarthy didn't just make 2015's Best Picture, he made one of the hundred best films I've ever seen.
2. "The Revenant"(2015)
"I ain't afraid to die anymore...I've done it already". A bearded, tight-lipped Leonardo DiCaprio had to wrestle a grizzly bear and trek 200 miles in the freezing cold to claim his elusive Best Actor Oscar( he had four previous nominations). The extraordinary survival story of 1820s big-game hunter Hugh Glass spent thirteen long years in development, and this gorgeous big-screen treatment was certainly worth the wait. Tom Hardy is terrific as the scary frontiersman that leaves him for dead, and may have deserved to triumph in an extremely tight Best Supporting Actor race. Now let's talk about Alejandro Inarritu("Birdman"). Thanks in no small part to Emmanuel Lubezki's stunning cinematography, the Mexican perfectionist scored back-to-back Best Director Oscars, joining an elite group of multiple winners(John Ford, Frank Capra, Oliver Stone, Steven Spielberg).
3. "The Hateful Eight"(2015)
Quentin Tarantino's eighth feature(he counts "Kill Bill" as one) packs another colorful rogues gallery into a cold secluded cabin for a violent three-hour Western version of "Reservoir Dogs"(complete with an Oscar-winning Ennio Morricone score!). QT's love for this genre is well-known to his legions of die-hard fans, and "Eight" is every bit as great as "Django Unchained", even if the box office says otherwise. Kurt Russell and his handlebar head up an astounding ensemble that includes Bruce Dern, Walton Goggins, Michael Madsen and Channing Tatum. Jennifer Jason Leigh's feisty fugitive needs to be singled out for special praise, and last but certainly not least, there's Sam Jackson. No actor has ever(or will ever) deliver Tarantino's dynamite dialogue with more guttural gusto.
4. "Star Wars: The Force Awakens"(2015)
In case you didn't know, Disney bought "Star Wars" in 2012. I know I'm not the only one that quietly craved Episode VII, but it wasn't George Lucas that finally gave us the LONG-awaited sequel to "Return of the Jedi". Director J.J. Abrams(and Kathleen Kennedy) awakened the most colossal film franchise in the known universe, and the result was the highest-grossing movie of all time. Harrison Ford's return as Han Solo had older fans orgasmic, while newcomers Daisy Ridley, John Boyega and the diabolical Adam Driver ensured that the Force was strong in the younger generation. Sure, Abrams borrows his story beats from 1977. You don't mess with perfection. "Star Wars" is still the premier source of cinematic escapism, and all pretenders need to bow before the First Order. Now bring on Episode VIII.
5. "The Big Short"(2015)
The '08 financial crisis is handled in a more fast-paced, humorous and entertaining fashion than it had any right to, courtesy of writer-director Adam McKay("Anchorman"). You see, Reagan deregulated the banks, which started using complex language to confuse normal folks into believing they could afford bigger, better cars, homes etc. Margot Robbie explains some of this in a bubble bath. Christian Bale is the acting standout here, mighty impressive considering the faces of Steve Carell, Ryan Gosling and Brad Pitt also adorn the DVD cover. Keep a close eye on your cash, and tell anyone who will listen that there's nothing 'boring' about this irreverent economics class.
6. "Room"(2015)
Brie Larson broke out from the pack of promising under-thirty actresses with her affecting turn as a kidnapped woman in this unconventional indie drama based on an acclaimed 2010 novel. Lenny Abrahamson's film is really about the durability of the human spirit under extreme duress and the unbreakable bond between mother and son. Brie was rightly rewarded with the Best Actress Oscar, and her young costar Jacob Tremblay's sensitive, moving performance should have been formally recognized. I didn't want to leave that room. You won't either.
7. "Bridge of Spies"(2015)
Steven Spielberg and his favorite leading man Tom Hanks team-up for the fourth time, and the Academy Awards predictably took notice. These two highly decorated history buffs enlightened us about James B. Donovan, a Brooklyn lawyer turned CIA hostage negotiator at the height of the Cold War in the early 1960s. Stage vet Mark Rylance stepped into the big leagues as a sympathetic Soviet spy, pulling off a Best Supporting Actor Oscar upset in the process. "Spies" is nourishing entertainment for those of us whose diet consists of more than just superhero movies.
8. "Inside Out"(2015)
I've said it before, I'll say it again- the Pixar crew are geniuses. They've made this world a better place for children of all ages. I was filled with joy as I met Joy, Sadness, Anger, Fear and Disgust- all of the emotions that live inside the mind of a little girl as she deals with the anxiety of moving with her family from Minnesota to San Francisco. This clever set-up proves that Disney has the best creative minds in the business as well as some of the most technically skilled at their disposal. "Out" walked out with the Academy Award for Best Animated Feature and a $356 million domestic box office haul. The talented voice actors include Amy Poehler, Phyllis Smith, Lewis Black, Bill Hader, Mindy Kaling and Richard Kind.
9. "Creed"(2015) Writer-director Ryan Cooglar and Michael B. Jordan reunited two years after their film festival favorite "Fruitvale Station", for an unlikely resurrection of one of cinema's most beloved properties. Sylvester Stallone had seemingly given his iconic creation a proper sendoff in 2006's "Rocky Balboa". It turned out that the champ was merely on hiatus(again), because the bastard son of Apollo Creed needs help following in his father's footsteps. Rocky VII, as it could accurately be called, is a seamless extension of the seminal boxing saga, and Sly is as good as he's ever been in the role that fits him like a glove. The jacked Jordan has 21st Century fight fans firmly in his corner- I have a feeling we'll all be there for 2018's "Creed II" and beyond. 10(tie). "Mad Max: Fury Road"(2015) Speaking of revivals, holy shit. Australian writer-director George Miller sure wasn't messing around when he spent FOURTEEN YEARS developing a fourth "Max" movie, enduring delays caused by budget concerns, the Iraq War, and the fading clout of the once-mighty Mel Gibson. A rugged, tight-lipped Tom Hardy would ultimately step into the post-apocalyptic wasteland as Rockatansky, but he's not even the real star. A bald, bad-ass Charlize Theron steals the film as his reluctant ally Furiosa. "Fury Road" is a visual and auditory feast, winning six technical Oscars for Editing, Production Design, Costumes, Makeup, and Sound(2x).
10(tie). "Straight Outta Compton"(2015)
We're at a point in pop history where the birth of hip-hop as a mainstream cultural force has achieved an equal amount of interest and esteem as Elvis and the Beatles got when I was growing up. The N.W.A.(Niggaz Wit Attitudes, for the uninitiated) shook up the music scene at the tail end of the 1980s, and made those hair bands seem lame before anyone had heard of Nirvana. Director F. Gary Gray was ideally suited to chronicle their expletive-laden exploits, that would ultimately result in key figures like Dr. Dre and Ice Cube finding fame and fortune that went way beyond their inner-city origins. "Compton" is a crackling biopic, with or without the chronic.
Honorable Mentions- "True Story"(2015) Did James Franco kill his family? "Danny Collins"(2015) Al Pacino comes back to life as a geriatric rock star. "Cinderella"(2015) Kenneth Branagh's live-action remake. "It Follows"(2015) Indie horror is on the rise. "Going Clear"(2015) Scientology is a cult. "Ex Machina"(2015) Oscar Isaac gets a robot girlfriend(Alicia Vikander). "The Age of Adaline"(2015) I'd marry Blake Lively. "Furious 7"(2015) R.I.P. Paul Walker. "Avengers: Age of Ultron"(2015) This is the age of Marvel. "Jurassic World"(2015) Chris Pratt + dinosaurs= $$$. "Ted 2"(2015) Is Seth McFarlane's sequel funnier than the first? "Ant-Man"(2015) Paul Rudd got small, and then got really big. "Minions"(2015) The "Despicable Me" trio in 1968 NY. "Trainwreck"(2015) Amy Schumer and Judd Apatow generate $110 million in the U.S. "Southpaw"(2015) Jake Gyllenhaal goes for the knockout. "Mission Impossible- Rogue Nation"(2015) Tom Cruise's fifth adventure as IMF hero Ethan Hunt. "Irrational Man"(2015) Joaquin Phoenix kills for Woody Allen. "Rickie and the Flash"(2015) Meryl Streep rocks out. "Burnt"(2015) Bradley Cooper is a psycho chef. "Trumbo"(2015) Bryan Cranston is a Commie. "Truth"(2015) Robert Redford tells it as veteran newsman Dan Rather. "Sicario"(2015) Denis Villeneuve does the war on drugs. "Suffragette"(2015) Women should be allowed to vote. "Sleeping with Other People"(2015) Jason Sudeikis sleeps with Alison Brie. "The Program"(2015) Lance Armstrong still won. "Black Mass"(2015) Johnny Depp disappears into the role of Irish mob boss Whitey Bulger. "Steve Jobs"(2015) Michael Fassbender as the Apple computer genius. "The Martian"(2015) Ridley Scott sends Matt Damon to Mars. "The Walk"(2015) Robert Zemeckis puts Joseph Gordon-Levitt on a tightrope. "The Witch"(2015) is played by Anya Taylor-Joy in Robert Eggers' directorial debut. "The Lobster"(2015) Will Colin Farrell turn into one? "Knock Knock"(2015) Will Eli Roth kill Keanu Reeves? "Bone Tomahawk'(2015) Kurt Russell vs. cannibals. "Spectre"(2015) The fourth dose of Daniel Craig as 007. "Carol"(2015) is played by Cate Blanchett. "The Hunger Games: Mockingjay Part II"(2015) The fourth and final outing for Katniss Everdeen. "The Good Dinosaur"(2015) Pixar does good work. "The Danish Girl"(2015) Eddie Redmayne gets a sex change. "Fathers and Daughters"(2015) Russell Crowe and Amanda Seyfried elevate this indie family drama. "Joy"(2015) Jennifer Lawrence brings it every time David O. Russell is directing. "Sisters"(2015) Tina Fey and Amy Poehler party. "Concussion"(2015) NFL players get lots of them. "A Walk in the Woods"(2015) Robert Redford hits the road with Nick Nolte. "In the Heart of the Sea"(2015) Ron Howard and Chris Hemsworth set sail in 1820.
1. "Spotlight"(2015)
Organized religion is dying. That's called progress, and we have the dogged determination of a group of Boston Globe reporters for exposing the insidious underbelly of the Catholic Church with their Pulitzer Prize-winning work in 2002. Michael Keaton, Mark Ruffalo and Rachel McAdams are all riveting as they discover that a staggering amount of priests have been accused of child molestation. A decades-long cover-up amounts to a massive worldwide scandal that should leave you thinking twice about Sunday school. "Spotlight" is an important movie, a tribute to good journalism that more than earns it's comparisons to "All the President's Men". Director Tom McCarthy didn't just make 2015's Best Picture, he made one of the hundred best films I've ever seen.
2. "The Revenant"(2015)
"I ain't afraid to die anymore...I've done it already". A bearded, tight-lipped Leonardo DiCaprio had to wrestle a grizzly bear and trek 200 miles in the freezing cold to claim his elusive Best Actor Oscar( he had four previous nominations). The extraordinary survival story of 1820s big-game hunter Hugh Glass spent thirteen long years in development, and this gorgeous big-screen treatment was certainly worth the wait. Tom Hardy is terrific as the scary frontiersman that leaves him for dead, and may have deserved to triumph in an extremely tight Best Supporting Actor race. Now let's talk about Alejandro Inarritu("Birdman"). Thanks in no small part to Emmanuel Lubezki's stunning cinematography, the Mexican perfectionist scored back-to-back Best Director Oscars, joining an elite group of multiple winners(John Ford, Frank Capra, Oliver Stone, Steven Spielberg).
3. "The Hateful Eight"(2015)
Quentin Tarantino's eighth feature(he counts "Kill Bill" as one) packs another colorful rogues gallery into a cold secluded cabin for a violent three-hour Western version of "Reservoir Dogs"(complete with an Oscar-winning Ennio Morricone score!). QT's love for this genre is well-known to his legions of die-hard fans, and "Eight" is every bit as great as "Django Unchained", even if the box office says otherwise. Kurt Russell and his handlebar head up an astounding ensemble that includes Bruce Dern, Walton Goggins, Michael Madsen and Channing Tatum. Jennifer Jason Leigh's feisty fugitive needs to be singled out for special praise, and last but certainly not least, there's Sam Jackson. No actor has ever(or will ever) deliver Tarantino's dynamite dialogue with more guttural gusto.
4. "Star Wars: The Force Awakens"(2015)
In case you didn't know, Disney bought "Star Wars" in 2012. I know I'm not the only one that quietly craved Episode VII, but it wasn't George Lucas that finally gave us the LONG-awaited sequel to "Return of the Jedi". Director J.J. Abrams(and Kathleen Kennedy) awakened the most colossal film franchise in the known universe, and the result was the highest-grossing movie of all time. Harrison Ford's return as Han Solo had older fans orgasmic, while newcomers Daisy Ridley, John Boyega and the diabolical Adam Driver ensured that the Force was strong in the younger generation. Sure, Abrams borrows his story beats from 1977. You don't mess with perfection. "Star Wars" is still the premier source of cinematic escapism, and all pretenders need to bow before the First Order. Now bring on Episode VIII.
5. "The Big Short"(2015)
The '08 financial crisis is handled in a more fast-paced, humorous and entertaining fashion than it had any right to, courtesy of writer-director Adam McKay("Anchorman"). You see, Reagan deregulated the banks, which started using complex language to confuse normal folks into believing they could afford bigger, better cars, homes etc. Margot Robbie explains some of this in a bubble bath. Christian Bale is the acting standout here, mighty impressive considering the faces of Steve Carell, Ryan Gosling and Brad Pitt also adorn the DVD cover. Keep a close eye on your cash, and tell anyone who will listen that there's nothing 'boring' about this irreverent economics class.
6. "Room"(2015)
Brie Larson broke out from the pack of promising under-thirty actresses with her affecting turn as a kidnapped woman in this unconventional indie drama based on an acclaimed 2010 novel. Lenny Abrahamson's film is really about the durability of the human spirit under extreme duress and the unbreakable bond between mother and son. Brie was rightly rewarded with the Best Actress Oscar, and her young costar Jacob Tremblay's sensitive, moving performance should have been formally recognized. I didn't want to leave that room. You won't either.
7. "Bridge of Spies"(2015)
Steven Spielberg and his favorite leading man Tom Hanks team-up for the fourth time, and the Academy Awards predictably took notice. These two highly decorated history buffs enlightened us about James B. Donovan, a Brooklyn lawyer turned CIA hostage negotiator at the height of the Cold War in the early 1960s. Stage vet Mark Rylance stepped into the big leagues as a sympathetic Soviet spy, pulling off a Best Supporting Actor Oscar upset in the process. "Spies" is nourishing entertainment for those of us whose diet consists of more than just superhero movies.
8. "Inside Out"(2015)
I've said it before, I'll say it again- the Pixar crew are geniuses. They've made this world a better place for children of all ages. I was filled with joy as I met Joy, Sadness, Anger, Fear and Disgust- all of the emotions that live inside the mind of a little girl as she deals with the anxiety of moving with her family from Minnesota to San Francisco. This clever set-up proves that Disney has the best creative minds in the business as well as some of the most technically skilled at their disposal. "Out" walked out with the Academy Award for Best Animated Feature and a $356 million domestic box office haul. The talented voice actors include Amy Poehler, Phyllis Smith, Lewis Black, Bill Hader, Mindy Kaling and Richard Kind.
9. "Creed"(2015) Writer-director Ryan Cooglar and Michael B. Jordan reunited two years after their film festival favorite "Fruitvale Station", for an unlikely resurrection of one of cinema's most beloved properties. Sylvester Stallone had seemingly given his iconic creation a proper sendoff in 2006's "Rocky Balboa". It turned out that the champ was merely on hiatus(again), because the bastard son of Apollo Creed needs help following in his father's footsteps. Rocky VII, as it could accurately be called, is a seamless extension of the seminal boxing saga, and Sly is as good as he's ever been in the role that fits him like a glove. The jacked Jordan has 21st Century fight fans firmly in his corner- I have a feeling we'll all be there for 2018's "Creed II" and beyond. 10(tie). "Mad Max: Fury Road"(2015) Speaking of revivals, holy shit. Australian writer-director George Miller sure wasn't messing around when he spent FOURTEEN YEARS developing a fourth "Max" movie, enduring delays caused by budget concerns, the Iraq War, and the fading clout of the once-mighty Mel Gibson. A rugged, tight-lipped Tom Hardy would ultimately step into the post-apocalyptic wasteland as Rockatansky, but he's not even the real star. A bald, bad-ass Charlize Theron steals the film as his reluctant ally Furiosa. "Fury Road" is a visual and auditory feast, winning six technical Oscars for Editing, Production Design, Costumes, Makeup, and Sound(2x).
10(tie). "Straight Outta Compton"(2015)
We're at a point in pop history where the birth of hip-hop as a mainstream cultural force has achieved an equal amount of interest and esteem as Elvis and the Beatles got when I was growing up. The N.W.A.(Niggaz Wit Attitudes, for the uninitiated) shook up the music scene at the tail end of the 1980s, and made those hair bands seem lame before anyone had heard of Nirvana. Director F. Gary Gray was ideally suited to chronicle their expletive-laden exploits, that would ultimately result in key figures like Dr. Dre and Ice Cube finding fame and fortune that went way beyond their inner-city origins. "Compton" is a crackling biopic, with or without the chronic.
Honorable Mentions- "True Story"(2015) Did James Franco kill his family? "Danny Collins"(2015) Al Pacino comes back to life as a geriatric rock star. "Cinderella"(2015) Kenneth Branagh's live-action remake. "It Follows"(2015) Indie horror is on the rise. "Going Clear"(2015) Scientology is a cult. "Ex Machina"(2015) Oscar Isaac gets a robot girlfriend(Alicia Vikander). "The Age of Adaline"(2015) I'd marry Blake Lively. "Furious 7"(2015) R.I.P. Paul Walker. "Avengers: Age of Ultron"(2015) This is the age of Marvel. "Jurassic World"(2015) Chris Pratt + dinosaurs= $$$. "Ted 2"(2015) Is Seth McFarlane's sequel funnier than the first? "Ant-Man"(2015) Paul Rudd got small, and then got really big. "Minions"(2015) The "Despicable Me" trio in 1968 NY. "Trainwreck"(2015) Amy Schumer and Judd Apatow generate $110 million in the U.S. "Southpaw"(2015) Jake Gyllenhaal goes for the knockout. "Mission Impossible- Rogue Nation"(2015) Tom Cruise's fifth adventure as IMF hero Ethan Hunt. "Irrational Man"(2015) Joaquin Phoenix kills for Woody Allen. "Rickie and the Flash"(2015) Meryl Streep rocks out. "Burnt"(2015) Bradley Cooper is a psycho chef. "Trumbo"(2015) Bryan Cranston is a Commie. "Truth"(2015) Robert Redford tells it as veteran newsman Dan Rather. "Sicario"(2015) Denis Villeneuve does the war on drugs. "Suffragette"(2015) Women should be allowed to vote. "Sleeping with Other People"(2015) Jason Sudeikis sleeps with Alison Brie. "The Program"(2015) Lance Armstrong still won. "Black Mass"(2015) Johnny Depp disappears into the role of Irish mob boss Whitey Bulger. "Steve Jobs"(2015) Michael Fassbender as the Apple computer genius. "The Martian"(2015) Ridley Scott sends Matt Damon to Mars. "The Walk"(2015) Robert Zemeckis puts Joseph Gordon-Levitt on a tightrope. "The Witch"(2015) is played by Anya Taylor-Joy in Robert Eggers' directorial debut. "The Lobster"(2015) Will Colin Farrell turn into one? "Knock Knock"(2015) Will Eli Roth kill Keanu Reeves? "Bone Tomahawk'(2015) Kurt Russell vs. cannibals. "Spectre"(2015) The fourth dose of Daniel Craig as 007. "Carol"(2015) is played by Cate Blanchett. "The Hunger Games: Mockingjay Part II"(2015) The fourth and final outing for Katniss Everdeen. "The Good Dinosaur"(2015) Pixar does good work. "The Danish Girl"(2015) Eddie Redmayne gets a sex change. "Fathers and Daughters"(2015) Russell Crowe and Amanda Seyfried elevate this indie family drama. "Joy"(2015) Jennifer Lawrence brings it every time David O. Russell is directing. "Sisters"(2015) Tina Fey and Amy Poehler party. "Concussion"(2015) NFL players get lots of them. "A Walk in the Woods"(2015) Robert Redford hits the road with Nick Nolte. "In the Heart of the Sea"(2015) Ron Howard and Chris Hemsworth set sail in 1820.
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