The Year in Review- 2004

It was the year Clint Eastwood and Hilary Swank got ready for a fight and Leonardo DiCaprio took flight with Martin Scorsese. Mel Gibson got crucified, Jamie Foxx was blind, and Alexander Payne taught us about wine. Spiderman and Shrek owned the summer box office while the artsy crowd got caught up with Jessie and Celine. Here are the ten best films in order for 2004.

1. "Million Dollar Baby"(2004) Clint Eastwood staked his claim as possibly the biggest living legend in Hollywood with the staggering one-two punch of "Mystic River", and the greatest boxing movie this side of "Rocky" and "Raging Bull". The sheer quality of the man's directorial output is enough to put him in rarified air, even if you erased his movie star run from the previous four decades. A crusty Clint guided Hillary Swank to her second Best Actress Oscar(the first was for "Boys Don't Cry"), as she infused her unlikely pugilist Maggie Fitzgerald with believable strength and a disarming sensitivity. Morgan Freeman reached his artistic peak as their punchy, gym-dwelling sidekick, before he seemingly lent his dignified presence to every project put in front of him. The gut-wrenching third act, which I won't spoil for those unenlightened readers that still haven't seen it(shame on you), overcame mild controversy to knock out some stiff competition at the Academy Awards for the coveted Best Picture and Best Director(Eastwood) statues.

2. "The Aviator"(2004) An high-minded Leonardo DiCaprio formed a fateful alliance with his directing hero Martin Scorsese in the year 2000, as he set out to permanently silence naysayers and make his limiting pin-up boy reputation a distant memory. The titanic hunk spread his acting wings as Howard Hughes, in this briskly-paced 170-minute biopic that covers the aviation pioneer's life from the late 1920s to 1947. Hughes became one of the wealthiest men in the world during this period, and his brief glory included forays into moviemaking and relationships with various starlets, before crippling bouts with OCD led to a reclusive and painful descent. Cate Blanchett won the Best Supporting Actress Oscar and confirmed her standing as a fantastic female performer by channeling another one, Hughes' most celebrated conquest, Katharine Hepburn.

3. "Sideways"(2004) Paul Giamatti and Thomas Haden Church are both excellent as aging best pals with wildly-dissimilar approaches to life and love in another low-key instant classic from writer-director Alexander Payne("Election", "About Schmidt"). Their bittersweet trip through California's wine country is alternately funny and moving, and the fact that neither man was a marquee name, should have worked against it. Instead, wine sales actually increased because of Jack and Miles(not Merlot, though). Payne's intelligence and unique insights made "Sideways" an Oscar dark horse and one of the year's most pleasant surprises. Virginia Madsen(also an underappreciated non-"star") was nominated for her melancholy waitress.

4. "Spider-Man 2"(2004) This spectacular sequel is not only a high point for the Spidey series but the entire overstuffed genre as well. It seems to be a rule that the second film in a superhero franchise is often the best, as the filmmakers are more confident in the knowledge that the public has embraced the characters and world they established the first time around(see "Superman II" and "Batman Returns"). Director Sam Raimi continues to derive inspiration from 1960s comics as Peter Parker realizes the heavy toll that crime-fighting has taken on his personal life. Can he have a relationship with Mary Jane(Kirsten Dunst) AND stop the destructive Doc Ock(Alfred Molina)? From Tobey Maguire's affecting angst to Alvin Sargent's tight screenplay to a show-stopping elevated train sequence, this remains the "Spider-Man" movie to beat.

5. 'Kill Bill: Vol. II"(2004) The Bride is back, in the superior sequel to Quentin Tarantino's epic comeback/revenge fantasy. QT's kung fu wet dreams were brought to life in memorable fashion in 2003, and it's a huge testament to the strength of the Tarantino brand that audiences ate up all four blood-splattered hours and asked for more. Uma Thurman was injured on her path to immortality, as her focused heroine finally gets around to killing Michael Madsen, Daryl Hannah, and the elusive title character himself, David Carradine. Hardly a straighforward affair, 'Vol. II" has surprises and juicy dialogue aplenty that sealed our devotion to the "Pulp Fiction" writer-director. The long-rumored "Vol. III" seemed like a sure thing(sigh).

6. "Before Sunset"(2004) Ethan Hawke and Julie Delpy did something remarkable when they reunited nine years after their refreshing yet largely-forgotten 1995 romance "Before Sunrise". They talked. And they talked. Then they talked some more. Richard Linklater's laidback stroll through Paris struck a chord with melancholic romantics, and such dazzling wordplay is the real special effect in an early 21st Century marketplace. Like all good sequels do, it made the original even better, and the critical groundswell meant we got to meet up with Jesse and Celine a third time in 2013's "Before Midnight". One of modern cinema's greatest couples was officially born.

7. "Shrek 2"(2004) Moviegoers may be all Shreked out, but in 2004 we couldn't get enough of this swamp-dwelling green ogre and his Scottish accent. DreamWorks animation's greatest asset became a box office behemoth that summer, ultimately becoming the third highest-grossing film of the decade(behind "Avatar" and "The Dark Knight"). His pop culture-peppered trip to Far, Far Away may not be as timeless as the 2001 original, but there's still some big laughs in this $150 million sequel(wow), thanks to the awesome vocals of Mike Myers and Eddie Murphy and returning director Andrew Adamson. Oh, and the scene-stealing Puss in Boots, perfectly-voiced by Antonio Banderas, making a spin-off inevitable. A third installment promptly arrived, with much less creative energy, in 2007.

8. "The Passion of The Christ"(2004) Nine years after his Oscar-winning triumph "Braveheart", Mel Gibson got back behind the camera for the ultimate umm, passion project, and the results were impossible to predict. It turned out that the martyred exploits of William Wallace were merely a warm-up, as the intensely-personal "Christ" came to represent a seismic shift in the public's preception of Gibson. The handsome and popular star of countless hits in the '80s and '90s morphed into a provocative figure, unafraid to enthusiastically discuss his faith- a topic that most celebs wisely shy away from. You don't have to share his beliefs(or condone any drunken rants) to recognize that this is an extraordinary piece of filmmaking. A graphically-violent depiction of the last twelve hours in the life of Jesus(a committed Jim Caveziel) told in a dead Aramaic language? Christian zealots weren't the only ones swarming the theater, but only mad Mel could tell you if the $370 million domestic box office was worth the chilly blowback.

9. "Ray"(2004) The emergence of Jamie Foxx as an acting force was another one of the big stories of 2004. The same year that he took on a villainous Tom Cruise in "Collateral", Foxx was the total embodiment of the legendary Ray Charles, making the Best Actor race something of a no-brainer(sorry, Leo). His transformative mannerisms allow viewers to fully accept the former "In Living Color" star in the role of the blind, piano-playing pioneer before he even embarks on his soul-music career in the 1950s. Director Taylor Hackford("An Officer and a Gentleman") follows the standard biopic formula with lengthy detours into drug abuse and womanizing, but the central performance is more than enough to keep the film(and the audience) humming along.

10. "Hotel Rwanda"(2004) Don Cheadle's brave hotelier saves the lives of a thousand African refugees during a 1994 genocide that went curiously underreported despite the loss of a million lives and the presence of 24-hour news channels(I guess the OJ Simpson saga was more interesting). The power of film turned our attention to those tragic three months in a devastating drama that earned comparisons to "Schindler's List". If director Terry George wasn't virtually unknown, "Rwanda" might have seen similar treatment during an awards season dominated by the media-made Eastwood-Scorsese rivalry. The world turned a blind eye to these atrocities, and I'm not proud to say that I barely knew it happened. You shouldn't be, either.

Johnny

Honorable Mentions- "Miracle"(2004) Kurt Russell coaches the 1980 U.S. Olympic hockey team. "Eternal Sunshine of the Spotless Mind"(2004) Jim Carrey can't get over Kate Winslet. "Man on Fire"(2004) Denzel Washington defends Dakota Fanning. "Mean Girls"(2004) This Tina Fey-scripted comedy is Lindsay Lohan's legacy. "The Machinist"(2004) Christian Bale was committed to his craft. "Hellboy"(2004) Gillermo del Toro comes to our attention. "Troy"(2004) Brad Pitt is Achilles in Wolfgang Petersen's historical epic. "13 Going on 30"(2004) Jennifer Garner is a charmer in this comic fantasy. "Napoleon Dynamite"(2004) Cult comedy about a high school nerd. "Van Helsing"(2004) Hugh Jackman is a CGI vampire hunter. "Harry Potter and the Prisoner of Azkaban"(2004) Did Alfonso Cauron direct the best one? "The Terminal"(2004) Steven Spielberg strands Tom Hanks at the airport. "The Notebook"(2004) Rachel McAdams(and every other female) falls for Ryan Gosling. "King Arthur"(2004) Antoine Fuqua directs the Disney version of the Dark Ages. "I, Robot"(2004) Will Smith + sci-fi= $$$.

"Garden State"(2004) Zack Braff(briefly) looked like the next Woody Allen. "Anchorman: The Legend of Ron Burgundy"(2004) Will Ferrell's funniest movie? "The Clearing"(2004) Willem Dafoe kidnaps and kills Robert Redford. "Supersize Me"(2004) McDonald's is bad for you. "Fahrenheit 9/11"(2004) George W. Bush was bad for you. "The Door in the Floor"(2004) Jeff Bridges and Kim Basinger are a depressed Long Island couple. "The Bourne Supremacy"(2004) Paul Greengrass makes Matt Damon an action icon. "The Manchurian Candidate"(2004) Denzel Washington and Jonathan Demme remake the '62 Frank Sinatra flick. "Collateral"(2004) Tom Cruise is a stone-cold hitman for Michael Mann. "Princess Diaries 2: Royal Engagement"(2004) Garry Marshall and Anne Hathaway gave Disney a hit sequel.

"Melinda and Melinda"(2004) Is life a comedy or a tragedy? "Shark Tale"(2004) DreamWorks Animation goes underwater. "Vera Drake"(2004) does illegal abortions in 1950 London. "Friday Night Lights"(2004) Billy Bob Thornton and Texas high school football. "The Incredibles"(2004) Pixar presents a family of superheroes. "Alfie"(2004) Jude Law is a womanizer. "Kinsey"(2004) Sex education with Liam Neeson. "National Treasure"(2004) Nic Cage is a Disney do-gooder. "The Polar Express"(2004) Robert Zemeckis and Tom Hanks pioneer motion-capture technology. "Bridget Jones: The Edge of Reason"(2004) Is it better than the first one. "Closer"(2004) Julia Roberts, Jude Law, and Natalie Portman in Mike Nichols' brutal relationship drama. "Splanglish"(2004) Adam Sandler gets(semi) serious with James L. Brooks. "The Woodsman"(2004) Kevin Bacon is a recovering pedophile. "Meet the Fockers"(2004) Robert De Niro and Ben Stiller are joined by Dustin Hoffman and Barbra Streisand in this huge hit sequel. "The Assassination of Richard Nixon"(2004) Sean Penn lights up this little-seen 1974-set indie as psycho salesman Samuel Byck. "Lemony Snicket's A Series of Unfortunate Events"(2004) Jim Carrey is Count Olaf.